The Boxtrolls was the third feature to come out of Oregon-based animation studio LAIKA, both of whose previous productions Coraline and Paranorman were Academy Award nominees for Best Animated Feature Film. I […]
The Hybrid World of The Boxtrolls
Godzilla — Conceptualizing the Monsters with ADI and Legacy Effects
In 2019, I covered Godzilla: King of the Monsters for Cinefex. The film’s battling behemoths reached the screen thanks to the digital artistry of the visual effects team at MPC, supported by […]
The Making of ATROPA
In March 2015, I conducted a interview for Cinefex with filmmaker Eli Sasich, discussing his sci-fi short film ATROPA. Three years later, we came together again – joined this time by visual […]
The History of the Optical Printer
What is an optical printer? Simply put, it’s a piece of equipment designed to copy motion picture film. A typical optical printer has a projector at one end and a camera at the other. […]
How King Kong Was Filmed (Or Not)
These days, it’s pretty easy to find out how a film was made. There’s a plethora of websites, podcasts, books, you name it. Chances are you’ll even find your favourite filmmakers sharing […]
VIEW Conference 2021
If you’re interested in animation, visual effects, computer graphics, digital cinema, VR or gaming, then VIEW Conference is the place for you. Beginning with a rolling programme of free online PreVIEW events, […]
The Handschiegl Twin Camera Matte Process
If you’re interested in the history of visual effects, you’re probably familiar with the Williams process. By combining two separate filmed scenes, it enables a filmmaker, for example, to place an actor […]
