In this exclusive extract from The Illusion Almanac: Creating Godzilla vs Kong, MPC visual effects supervisor Pier Lefebvre talks about the construction of a digital Hong Kong environment for Godzilla vs Kong. Having […]
In this exclusive extract from The Illusion Almanac: Creating Godzilla vs Kong, Weta Digital visual effects supervisor Kevin Smith discusses the methodology used to bring the giant ape Kong to life for Godzilla […]
In this exclusive extract from The Illusion Almanac: Creating Godzilla vs Kong, the Scanline VFX team discusses the scenes involving Kong on the deck of the transport ship. As lead visual effects […]
Issue 1 of the new filmcraft magazine The Illusion Almanac is available now as an 80-page* digital magazine formatted for Kindle. Download it from Amazon online stores worldwide — just search for […]
The Illusion Almanac is pleased to share this press release from Milk. Milk is delighted to reveal details of its work as principal VFX supplier for Sky Original’s new outer space, prison-break drama series […]
Roger Christian, the Academy Award-winning set decorator of Star Wars, began his journey to a galaxy far, far away while working with production designer John Barry in Mexico on Lucky Lady, building […]
The Illusion Almanac is pleased to share this press release from BlueBolt. BlueBolt is delighted to announce their involvement for the new Drama Republic supernatural crime series, The Irregulars, streaming on Netflix […]
Take a sneak peek at the cover of the first full-scale issue of The Illusion Almanac. Out May 2021, this brand new publication will delve into the making of Godzilla vs Kong, […]
In 2015, I had the pleasure of interviewing visual effects supervisor Andrew Whitehurst about Ex Machina, Alex Garland’s iconic film about a startlingly human robot and the quest for artificial intelligence. The […]
Through February and March 2020, I conducted a series of interviews for an in-depth article on the Disney adaptation of Artemis Fowl, for publication in Cinefex 171, due out in June of […]
